'30 Years on ECM' "Deliverance" by Anouar Brahem Anouar Brahem: oud François Couturier: piano Klaus Gesing: bass clarinet Björn Meyer: bass From the Album " Souvenance " (ECM 2423/24) Released on 28.11.2014 You can listen to the album here: https://ecm.lnk.to/Souvenance | Anouar Brahem أنور ابراهم

30 years on ECM records 'Dance With Waves' by Anouar Brahem أنور ابراهم Anouar Brahem: oud Klaus Gesing: bass clarinet Björn Meyer: bass Khaled Yassine: darbouka, bendir From the Album 'The Astounding Eyes Of Rita' released on 25.09.2009 Re-discover 'The Astounding Eyes of Rita' : https://ecm.lnk.to/BrahemRita | Anouar Brahem أنور ابراهم

'Le Pas du Chat Noir' Now available on vinyl for the first time !! (Anouar Brahem, oud - François Couturier, piano - Jean Louis Matinier accordion) Previously only available on CD and through the digital domain 'Le Pas du Chat Noir' just came out on Vinyl on ECM records. Other Anouar Brahem’s albums available on Vinyl: Barzakh (ECM 1432), Blue Maqams (ECM 2580) | Anouar Brahem أنور ابراهم

new album coming soon Anouar Brahem: After The Last Sky, with Anja Lechner Cello, Dave Holland and Django Bates, will be released on 28 March 2025 on CD, LP & digital. Pre-order now and listen to the title track here: https://ecm.lnk.to/AfterTheLastSky Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass

The unique sound world of oud master Anouar Brahem أنور ابراهم unfolds in a concert filmed live at the Philharmonie de Paris, featuring music from his new ECM Records album, “After the Last Sky”, alongside Django Bates, Dave Holland, and Anja Lechner Cello. Now streaming at stage.plus/Brahem. | STAGE

Anouar Brahem ce mois ci sur Mezzo TV: "Blue Maqams" Concert filmé le 8 avril 2918 à La Philharmonie de Paris. Diffusion le Jeudi 27 Décembre 2018, 20:30 "Anouar Brahem promène son oud dans des contrées inattendues. Impressionniste de la mélodie et improvisateur toujours inspiré, le musicien tunisien fait surtout vaciller les paravents entre les genres. Grâce à lui, la musique arabe et le jazz ont entamé un dialogue singulier qui touche au sublime. Une conversation entre passé et présent, tradit