Kat Benedict is a writer, researcher and facilitator based in London, and a 2026 Curationist Foundation Research Fellow. Their work explores how illness and madness are represented, archived and ...

At Chapter, Cardiff, a collaboration with autistic artists, sound engineers, radio operators, astrophysicists and musicians ...

This summer, Frieze Connect members are invited to experience clinamen, the largest iteration to date of Céleste Boursier-Mougenot's celebrated aquatic and musical installation, presented in the Wade ...

513 Yeongdong-daero, Gangnam-gu, Seoul 06164, Republic of Korea Frieze Seoul is located in Hall C and D on Level 3. KIAF SEOUL is located in Hall A and B on Level 1. For access to Hall C and Hall D, ...

Stones, bones and invented languages – with a side of sweet potatoes – lie at the heart of Abdullah Al Saadi’s prolific, itinerant practice. For more than 40 years, he has traversed the craggy, ...

Frozen into myth by an early death in 1962, the artist and musician Stuart Sutcliffe is best known for his brief membership, between January and December 1960, of an early line-up of The Beatles.

Frieze London and Frieze Masters returns to The Regent’s Park this autumn (14 – 18 October 2026). Across the two fairs, ...

At the George Economou Collection, Athens, ‘The Way We Live Now’ examines the pressures of contemporary life, where constant ...

The 2026 Frieze Artist Awards in Seoul and London have recently been announced, with Yagwang and Theo Triantafyllidis the respective winners. The award is an opportunity for an artist to present a ...

Jermaine Gallacher is the kind of person who will be rifling through a pile of items marked ‘50p’ at a junk stall when he tells you about his run-in with a supermodel at some very private party the ...

Stella Adler, one of the 20th century’s sharpest and most commanding acting teachers, transformed acting training when she insisted the imagination was the performer’s primary tool. Rather than method ...

Emily LaBarge has a good story. The writer’s dream, one might think. Good stories – the more horrifying the better – are high currency in a cynical publishing landscape that capitalizes on traumatic ...