The Lumineers cofounder details the challenging of scoring a film based on an iconic album by a legendary artist.
More stories by Kevin P.
"It's about pulling certain threads, knowing when to release it, when to sew it back in." Minkie Spiro: It came to me via Carnival Films, the production company in London who I'd worked with ...
What's scarier than a nighttime bike ride through a cemetery? How about a nighttime bike ride through a cemetery where the graves are alive with the sound of screaming ghosts? That setting serves as ...
The 10th Annual Critics Choice Documentary Awards celebrated the year’s best in nonfiction filmmaking at a gala held in New York City on Sunday. The Perfect Neighbor was the night’s biggest winner, ...
Plus: what she thinks of the new song, her proudest moment, and those freckles ...
The singer on what to expect from Glinda in the second 'Wicked' film.
All pundits predicted that Kendrick Lamar, who dominated the 67th Annual Grammy Awards when he won Record and Song of the ...
There is no better document of del Toro's magnum opus than eye-popping, door-stopping The Art & Making of Frankenstein: Written & Directed by Guillermo del Toro by author Sheila O'Malley with a ...
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‘Avatar’ production designer Dylan Cole previews an important ‘Fire and Ash’ setting (exclusive art)
Cole shares stories and images from his work on 'Avatar,' 'Alita: Battle Angel' and more in the new book 'Creating Worlds.' ...
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