The Handel and Haydn Society masterfully highlighted the drama and subtle details of Handel’s rarely heard cantatas Delirio ...
Johann Ludwig Bach’s Uns ist ein Kind geboren benefited from a similar attention to detail. Setting the same text from the ...
Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet a sacred text. In some ways, his dramatic style can feel distracting from ...
“When good Americans die,” Oscar Wilde said, “they go to Paris.” Sometimes, though, Paris comes to America. So it happened that the Orchestre National de France found itself at Mechanics Hall in ...
Opening with the gauzy halo of Rachmaninoff’s “Bogoroditse Djevo,” the Back Bay Chorale ushered its near-capacity audience into a hushed reverence which continued mostly unbroken for ninety minutes at ...
Music by Mahler, Loeffler, Koechlin, Saint-Saëns and Beach. Boston Symphony Chamber Players/Earl Lee. October 5. The upcoming 250 th anniversary of the Declaration of Independence promises plenty of ...
Nothing lasts forever, as Taylor Swift reminds us, be they relationships, careers, or music festivals. So it happened that the clock ran out Saturday on both the Boston Symphony Orchestra’s “Decoding ...
Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...
A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.
There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...
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