Writer-director Avalon Fast discusses her sophomore feature CAMP, which centers on a group of “gorgeous misfits” working at a Canadian summer camp.
Alex Winter and Tom Stern’s 1993 cult classic Freaked is less an example of “high” and “low” art commingling than of pop- and-sub-cultures colliding. At the precipice of marquee fame after headlining ...
Director Sky Hopinka on”Powwow People,” “a vérité-style doc grounded in the rhythms, relationships, and lived experience of a ...
One of our most prolific independent American filmmakers, Richard Linklater, now has two new movies in release. Nouvelle ...
If there is a giant who sits astride the history of Uzbek cinema, it’s Ali Khamraev, one of those rare talents like Welles or ...
On the cusp of every autumn for the last 21 years, the Camden International Film Festival becomes the center of the nonfiction world, offering a kind of community campfire in the midst of the seasonal ...
One Battle After Another, Familiar Touch and If I Had Legs I’d Kick You are among the multiple nominees for the 2025 35th ...
Which is why the late October onslaught of regional film festivals can be pretty important.
Harris Dickinson’s characters are demarcated by specific class consciousnesses: Coney Island’s Frankie in Beach Rats, who cruises for older men on a webcam site; a particular brand of selfishness and ...
As I wrote in my capsule review for this year’s SXSW curtain raiser, Armed Only With a Camera: The Life and Death of Brent Renaud is a film that Craig Renaud, Brent’s brother (and my friend for the ...
Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie ...
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