A special post celebrating the 10th anniversary of the BFI National Archive’s digital preservation infrastructure.

In a bumper year for screen adaptations of Stephen King’s work, the director of The Running Man, a dystopian thriller about a bloodthirsty TV gameshow, talks to the author about media manipulation, ...

Rishi Coupland is appointed as Executive Director of new directorate Industry Development and Innovation and Deputy CEO Harriet Finney takes on an expanded remit, now overseeing Fundraising and ...

Daniel Day-Lewis brings potent realism to an otherwise uneven debut about a broken veteran, directed by the actor’s son Ronan Day-Lewis.

Our first releases of 2026 include a 5-film collection of the great American documentary filmmaker Frederick Wiseman and a 1960s British B-film much loved by Quentin Tarantino and Edgar Wright.

Jennifer Lawrence stars in Lynne Ramsay’s first film in eight years: as a woman grappling with the emotional strain of early parenthood. She tells us about the influence of Cassavetes, her own ...

Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

The Kwame Brathwaite Story is chosen as Best British Discovery in the annual audience vote at the end of this year’s BFI London Film Festival.

Joel Edgerton gives a career-best performance as a travelling labourer in Clint Bentley’s extraordinary film about a period of extraordinary change in early 20th century America.

Our Railway 200 series continues with a look at trains in British animation, from a 1980s Ovaltine advert to a psychedelic gem from the Yellow Submarine team.

This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.