In 1943, Aaron Copland received a commission through choreographer Martha Graham for a ballet score. The composer had written two previous ballets for different choreographers: “Billy the Kid” (1938) ...
With musical examples from her latest CD, conductor Marin Alsop explains the wide-ranging sounds of Aaron Copland's music. "In the opening of the first symphony, you can almost sense Copland searching ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results