As mentioned previously, the characteristics of typical audio signals vary from time to time and therefore we must expect the required bit rate for lossless compression to vary as well. Since the bit ...
Data Compression is one of the most important components of this world, driven by petabytes of data daily. We, as humans, are generating data every second. From walking to running, eating to drinking, ...
A process is used when music is compressed into MP3 to discard all the sounds a machine thinks the human ear can't audibly perceive, thus vastly reducing the amount of storage needed to hold entire ...
Sam is a journalist based in Vancouver, BC. She graduated from the University of British Columbia with a degree in English literature with a minor in Creative Writing, cutting her teeth through her ...
Apple did its part in moving the world to wireless headphones. With the removal of the headphone jack with iPhone 7, the company made it clear that the future of audio is wireless. However, the ...
Lossless or lossy: If you have big data, know what type of compression to use Your email has been sent Illustration: Lisa Hornung/iStockPhoto Must-read big data coverage What Powers Your Databases?
Sony's LDAC codec enables hi-res audio on Android phones, but you need to download the Sound Connect companion app and change ...
Hello all,<BR><BR>I was wondering if you guys could help with this..<BR><BR>I need to know what kind of ratio that jpeg lossless uses (not the jpeg2000 standard, but the older one).<BR><BR>I know that ...
Apple announced on Mac OS Forge today that they have open sourced their Lossless Audio Codec (ALAC). ALAC was introduced in 2004 as OS X’s core audio codec to compress audio files 40-60 percent ...
I see awful diminishing returns here. (Lossless) compression of today isn't really that much better than products from the 80s and early 90s - stacker (wasn't it?), pkzip, tar, gz. You get maybe a few ...
Lossless data compression of digital audio signals is useful when it is necessary to minimize the storage space or transmission bandwidth of audio data while still maintaining archival quality.